15 September 2012 Έναρξη
9 December 2012 Λήξη
Saturday-Thursday: 10.00-18.00 (last admission to galleries 17.30) Friday: 10.00-22.00 (last admission to galleries 21.30) Ώρα
United Kingdom Royal Academy of Arts, Burlington House, Piccadilly, London W1J 0BD

Τηλ.: General inquiries: 020 7300 8000, Book tickets: 0844 209 0051


15 September - 9 December 2012

With works spanning 5,000 years, no such cross-cultural exhibition on this scale has ever been attempted. The exhibition features over 150 of the finest bronzes from Asia, Africa and Europe and includes important discoveries as well as archaeological excavations. Many of the pieces have never been seen in the UK.

Arranged thematically, Bronze brings together outstanding works from antiquity to the present. Different sections focus on the Human Figure, Animals, Groups, Objects, Reliefs, Gods, Heads and Busts. The exhibition features stunning Ancient Greek, Roman and Etruscan bronzes, through to rare survivals from the Medieval period. The Renaissance is represented by the works of artists such as Ghiberti, Donatello, Cellini, and later Giambologna, De Vries and others. Bronzes by Rodin, Boccioni, Picasso, Jasper Johns, Moore, Beuys and Bourgeois are representative of the best from the 19th century to today.

Bronze has been employed as an artistic medium for over five millennia. It is an alloy consisting mainly of copper, with lesser amounts of tin, zinc and lead. Due to its inherent toughness and resistance, the material’s uses over the centuries have been remarkably varied. A section of the exhibition has been devoted to the complex processes involved in making bronze, enabling visitors to explore how models are made, cast and finished by a variety of different techniques. The exhibition offers a unique exploration of artistic practice, an understanding of the physical properties and distinctive qualities of bronze, and the rare opportunity to see the very best examples in one place.

Bronze has been organised by the Royal Academy of Arts. The exhibition is curated by Professor David Ekserdjian, of the University of Leicester’s Department of the History of Art and Film, and Cecilia Treves, Exhibitions Curator at the Royal Academy of Arts, with an advisory committee of experts in the relevant fields.