Homer’s Iliad and specifically the episode of the duel between Sarpedon and Tlepolemus uses mythology and the epic to reflect the conflict between Rhodians and Lycians which had already begun in the Mycenaean era.
According to Apollodorus and Pausanias, even prior to the Trojan war, chariot races took place in Onchestos in honour of Poseidon. Is this perhaps related to a pair of bronze masterpieces that adorn the National Archaeological Museum?
Varvakeion plays an important part among the public buildings of 19th century Athens, constantly appearing in various state documents and writings by architects. The present article examines the reasons for this interest.
The history of the island seen through the most important exhibits of the Archaeological Museum of Chios; from the Early Neolithic when caves were first inhabited, up to progress made in the field of medicine in historic times.
After recording and classifying the material in categories, seven of these were recognized; ceramics with decoration that was plastic, incised, impressed, monochrome, orange red, matt painted and orange red with written black polished decoration.
"Nubia was an integral part of the Byzantine ecumene. Thanks to their ambitious rulers, the Nubian kingdoms formed a part of the Mediterranean world", Artur Obłuski about contacts between the Greco-Roman world and Nubia.
Interpretation of the Kremasti ditches should not focus on the form they present today, neither should they be seen as a large community work constructed at a given moment in time to serve a specific need.
Themistius kept himself centre stage in the political and cultural life of the capital city of the Eastern Roman Empire. What was it about his work that attracted imperial attention and admiration and sometimes even unrestrained enthusiasm?
The site was located in 1985, 15klms north east of the town of Kozani, on the southeast boundary of the basin of Kitrini Limni (Yellow Lake or Sari Göl) and outside the area covered by the marsh of that name, drained in the 1950s.