Separate skeletons suggested to be from different early hominin species are, in fact, from the same species, a team of anthropologists has concluded in a comprehensive analysis of remains first discovered a decade ago.
A marble statue of Aphrodite will be shown in the Sculpture Conservation Workshop of the National Archaeological Museum, a month before being displayed for the first time to the public.
A relative of modern humans that lived at least 104,000 years ago in northern China showed evidence of dental growth and development very similar to that of people today, a new study found.
In support of collaborative projects and academic cooperations with Greek CHSInstitutions, the Center of Hellenic Studies has developed a partnership with Aristotle University of Thessaloniki, Faculty of Philosophy, School of Philology, Department of Classics. This collaboration focuses on research in
The workshop aims to address the theme of human behaviour influenced by, reconfigured through and in response to war in the Roman period through the study of archaeological, epigraphic, and historical evidence.
Reminder of the Feb. 15 deadline for submitting abstracts for the Society for Ancient Medicine and Pharmacy panel at the January 2020 Society for Classical Studies meeting.
The Egyptian archaeological mission from the Ministry of Antiquities at Ber El-Shaghala archaeological site in Mout village at Dakhla Oasis uncovered two tombs dating to the Roman period.
A project led by the University of Glasgow brings together some 40 academics and curators to help understand how the Queen's legend has impacted on Scottish society and culture.
New research has shed new light on the eating habits of Neolithic people living in southeastern Europe using food residues from pottery extracts dating back more than 8,000 years.
The Department of Classics, LCS at the University of Leeds will be hosting the Annual Meeting of Postgraduates in Ancient Literature (AMPAL) in 2019, on 13th-14th June 2019.
It is that particular “Mona Lisa Effect” which describes the viewers’ impression of the eyes of the person in the painting watching them as they move in front of the picture.
Αn international team of scientists have found how Rembrandt van Rijn used his impasto technique, where thick paint makes a masterpiece protrude from the surface.
The tall, imposing and unique forms cast their shadow over the rest of the buildings and the island’s narrow alleyways (kantounia), recording Corfu’s history.